Venice: Campo S. Vidal and Santa Maria della Carità ('The Stonemason's Yard')
Artist: Canaletto (Italian, 1697 - 1768)
Original Dimensions: 48 3/4" x 64 1/8"
Location: National Gallery of Art, London
About Artwork: (About 1725) "This intimate view of Venice, weatherbeaten and dilapidated, is one of Canaletto’s masterpieces. In the early morning sun, workmen chisel away at pieces of stone. Everyday life continues around them: a mother rushes to comfort her crying child, watched by a woman on the balcony above. This square – the Campo San Vidal – was not usually a mason’s yard: it appears to have been temporarily transformed into a workshop while repairs are done to the nearby church of San Vidal. The church of Saint Maria della Carità and its campanile (bell tower) are visible on the far side of the Grand Canal. Painted during the late 1720s, this is one of Canaletto’s finest early works. He has skilfully described various materials and textures: the crumbling plaster, exposed brick, and rough timber in a subtle range of colours. The buildings of different styles and heights, the animated figures and the areas of light and shadow in this theatrical picture may recall the stage sets Canaletto painted at the very beginning of his career." - (National Gallery of Art, London)
We're Here to Help.
Each artwork is printed on demand in a maximum print total of 100 numbered prints. Once the edition is sold out, it will never be reprinted.
Yes. Every print is hand-numbered to mark its place in the edition. Some artists also include a signature, depending on their process.
All frames are custom-built to order using carefully selected materials. They’re designed to complement the artwork and ensure lasting quality.
A portion of every sale goes directly to the featured artist. By collecting their work, you’re helping them continue their creative practice and ensuring their art reaches new audiences.