Symbolic Representation of the Crucifixion

Artist: Giovanni Mansueti (Italian, 1465 - 1527)

Original Dimensions: 51" x 48 3/4"

Location: National Gallery of Art, London

About Artwork: (Probably 1492) "Christ is shown crucified – the massive figure of God the Father holds the arms of the Cross as though presenting him to the viewer. A dove, representing the Holy Ghost, hovers between them. The three together represent the Trinity, the one Christian God consisting of Father, Son and Holy Ghost. The surrounding figures were, according to the biblical accounts, present at the Crucifixion. Christ’s mother, Mary, and John the Evangelist stand on either side of the Cross; Mary Magdalene kneels clutching Christ’s feet. Mansueti used contemporary architectural details to create a setting that would have been familiar to his Venetian audience: the marble is like that used for the Venetian basilica of San Marco. This setting is, however, only a screen within a landscape; it is a fantasy. The ambiguity might be intended to reflect the mystery of the subject which could neither be represented within an interior nor a landscape setting." - (National Gallery of Art, London)

Step 1: Choose Your Painting Size (all sizes preserve artwork proportions)
Step 1: Choose Your Painting Size (all sizes preserve artwork proportions)
Step 2: Choose Your Framing Option (comes ready to hang and includes canvas stretching, protective varnish, custom frame, finished back, and hanging hardware)
Step 2: Choose Your Framing Option (comes ready to hang and includes canvas stretching, protective varnish, custom frame, finished back, and hanging hardware)
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Estimated painting completion:  4-6 weeks after you place your order.
Regular price $1,964.00
Regular price $3,273.00 Sale price $1,964.00
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From artist to collector, one of a hundred.

Alexis Trembley

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Answers to common questions about our limited editions.

Each artwork is printed on demand in a maximum print total of 100 numbered prints. Once the edition is sold out, it will never be reprinted.

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