A Genoese Noblewoman and Her Son

Artist:  Sir Anthony van Dyck (Belgian, 1599 - 1641)

Original Dimensions:  45 1/2" x 36"

Location:  National Gallery of Art, Washington D.C.

About Artwork:  (1626) "In this stunning portrait of a mother and child, Van Dyck fuses patrician grandeur and human warmth. The woman, dressed in a formal black dress, beautifully set off by a graceful lace ruff, sits rigidly erect in high-backed chair. Adorned with an array of jewels that convey her aristocratic refinement—a gold medallion hanging from a chain across her chest, a broad band of pearls encircling her coiffed hair—she stares straight ahead in strict profile with a detached air while also holding her young son's hand, a tender gesture that belies her aloof demeanor. For his part, the boy, dressed in a splendid red brocade doublet and breeches, also seems to possess a maturity and solemnity beyond his years. However, the manner in which he clasps his mother's hand reveals the sense of assurance he receives from her touch. As the rambunctious dog springing at his feet suggests, he is, despite his proud bearing, only a boy.

Despite Van Dyck's remarkable ability to capture his sitter' personalities in this portrait, the precise identity of this mother and child is not known. The earliest reference to the painting dates from and 1801 description of the Earl of Warwick's collection, where it is listed as "Lady Brooke," presumably through a mistaken notion that the female sitter was one of the earl's ancestors. By 1809, however, the Warwick Castle inventory had recast the title as "A whole length Portrait of a Lady and her Page." Eventually it was realized that the painting was from Van Dyck's Italian period rather than his English one—the costumes, the nature of the architectural setting, and Van Dyck's broad summary painting technique clearly indicate this the portrait comes from the latter years of his Italian sojourn. It was also eventually recognized that the relationship between the two figures was that of mother and child. " - (National Gallery of Art, Washington D.C.)

Step 1: Select Size (dimensions listed maintain original artwork proportions)
Step 1: Select Size (dimensions listed maintain original artwork proportions)
Regular price $0.00
Regular price Sale price $0.00

Every frame is built on site from high-quality maple, designed to complement the artwork and preserve it for years to come.

We are committed to helping artists grow. Every edition directly supports the creator, with a portion of each sale going to the artist themselves. By collecting their work, you’re not only preserving art in limited editions but also sustaining the people who bring it to life.

From artist to collector, one of a hundred.

Alexis Trembley

We're Here to Help.

Answers to common questions about our limited editions.

Each artwork is printed on demand in a maximum print total of 100 numbered prints. Once the edition is sold out, it will never be reprinted.

Yes. Every print is hand-numbered to mark its place in the edition. Some artists also include a signature, depending on their process.

All frames are custom-built to order using carefully selected materials. They’re designed to complement the artwork and ensure lasting quality.

A portion of every sale goes directly to the featured artist. By collecting their work, you’re helping them continue their creative practice and ensuring their art reaches new audiences.